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Raga Bibhas

January5

📖Yuki Ato Narayan’s “The study of relation between Raga and Ragamala”.
The think about “Indian musical scale and Illustrative Indian paintings of ragas”

🎵14. Raga Bibhas
📖Thaat Bhairav “Group Bhairav”
🎹Aroh S-r-G-P-d-S’
“Ascent scale C-D♭-E-G-A♭-C”
🎹Avaroh S’-d-P-G-r-S
“Descent scale C-A♭-G-E-D♭-C”
🎹Pakad GPd,GP-GrS
“Generally accepted musical phrase
EGA♭,EG-ED♭C”
🎹Vadi d “The most prominent note : E”
🎹Samvadi r “The second-most prominent note : A”
🕰Prahar 1 (6am-9am)
“Timing the performance of ragas: 6am-9am”
📖Story:
Bibhas is an early morning melody illustrated by two lovers who have fallen asleep at daybreak.
They are roused from slumber by the irritating crow of a rooster.
In poetry, dawn and the rooster are regarded as the enemies of lovers.
This is a monsoon raga.
📖Poet:
Taking aim with my lotus arrow
I seek to silence the cruel bird,
Oh cuckoo!
Enemy of lovers and friend of the dawn,
Rising me from my beloved’s side
💪🏼Effect:
Chakra#6
loveliness, early dawn, twittering of the birds.
(In Pafichama where D Hat (Ri komal) is short and never accentuated,
the Vadi and Samvadi are F sharp (Ma tivra) and C(Sa),
and the expression is energetic and challenging.)
Relief from Chronic Stress.

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