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Raga Bhimpalasi

December31

📖Yuki Ato Narayan’s “The study of relation between Raga and Ragamala”.
The think about “Indian musical scale and Illustrative Indian paintings of ragas”

🎵12. Raga Bhimpalasi
📖Thaat Kafi “Group Kafi”
🎹Aroh ‘n-S-g-m-P-n-S’
“Ascent scale B♭-C-E♭-F-G-B♭-C”
🎹Avaroh S’-n-D-P-mPg-rn-g-R-S
“Descent scale C-B♭-A-G-FGE♭-D♭B♭-E♭-D-C”
🎹Pakad R’nS-m,gm-P-g-RS
“Generally accepted musical phrase
DB♭C-F,E♭F-G-E♭-DC”
🎹Vadi m “The most prominent note : F”
🎹Samvadi S “The second-most prominent note : C”
🕰Prahar 4 (3pm-6pm)
“Timing the performance of ragas: 3pm-6pm”
📖Story:(Gunkari)
Bhimpalasi playing in a garden of sandal trees.
Her silken garment is yellow her hips are beautiful.
With her left hand she holds the neck of a Vina.
📖Poet:
With wide lotus eyes
and fragrant with celestial flowers,
Bhimpalasi, the sages tell,
sings with her deep voice to the lute.
Her lovely form is the embodiment of art.
💪🏼Effect:
Chakra#4
peaceful, tender and pleasing, with some ambition
These Raga-s has the penetrating power to infect the human mind positively
and control it for days and weeks on end.

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