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Raga Barari

December14

📖Yuki Ato Narayan’s “The study of relation between Raga and Ragamala”.
The think about “Indian musical scale and Illustrative Indian paintings of ragas”

🎵5. Raga Barari
📖Thaat Marwa “Group Marwa”
🎹Aroh S-‘NrG-r-G-P-M-D-S’
“Ascent scale C-BD♭E-D♭-E-G-F♯-A-C”
🎹Avaroh S’-Nr’-N-D-MG-P-G-r-S
“Descent scale C-BD♭-B-A-F♯E-G-E-D♭-C”
📖Pakad SP-Gr,GP-MD,S’-r’,NDP-GrS
“Generally accepted musical phrase
CG-ED♭,EG-F♯A,C-D♭,BAG-ED♭C”
📖Vadi G “The most prominent note : E”
📖Samvadi D “The second-most prominent note : A”
🕰Prahar 4 (3pm-6pm)
“Timing the performance of ragas: 3pm-6pm”
📖Story:
This melody is visualized as a girl separated from her lover.
She goes out to meet him longing to be reunited.
The hands clasped over her head indicate her passionate desire.
This autumn melody should be sung at the end of the day.
📖Poet:
Thinking of her lover,
she smiles,
enjoying the cool breeze of the whisk
she kisses him gently,
keeping him under her spell.
📖Effect:
Chakra#3
Varali is good for vayu tatva, heart, skin ailments and gastric problems.

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