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Raga Alhaiya Bilawal

December8

📖Yuki Ato Narayan’s “The study of relation between Raga and Ragamala”.
The think about “Indian musical scale and Illustrative Indian paintings of ragas”

🎵2. Raga Alhaiya Bilawal
📖Thaat Bilawal “Group Bilawal”
🎹Aroh S-GR-GP-DN-S’
“Ascent scale C-ED-EG-AB-C”
🎹Avaroh S’-NDP-DnD-P-mGmR-S
“Descent scale C-BAG-AB♭A-G-FEFD-C
🎹Pakad S’-(N)D-nD-P,P-D-G-P-m-G-m-R-S
“Generally accepted musical phrase
C-(B)A-B♭A-G,G-A-E-G-F-E-FE-D-C”
🎹Vadi D “The most prominent note : A”
🎹Samvadi G “The second-most prominent note : E”
🕰Prahar 1 (6am-9am)
“Timing the performance of ragas”
📖Story:
Dwarf, with the sheen of a dove,
on a swing pleasantly placed for play.
Krishna is gently rocked, the sages say, by women with ample hips.
Her pale golden body with great hips is fragrant like the flowers of heaven.
Well favoured, long-eyed, she holds a lute.
📖Poet:(same as Bilawal)
Bilawal has the lustre of the blue lotus.
Arranging jewels upon her body,
she makes secret signs to her lover.
How can she forget for one moment her chosen deity,
the God of Love ?
📖Effect:(same as Chandrakauns)
Chakra#6
Active and tender, inquisitive, mixing joy and affection,
clear and joyful. Ga and Da are soft and gentle.
Ma is uncertain and grave, tender and affectionate.
This Rga considered very helpful for heart aliments.
It cures mental illness, soothes the turbulent mind and restores peace and harmony.

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